Reviewing the National Review, Part 3

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William  F. Buckley. Jonah Goldberg. Kyle Smith.  There’s been an endless parade, over many decades, of worthy demonstrators of the intellectual bankruptcy of the National Review and the delusional culture it figureheads. We’ve already examined them in two previous posts; but sometimes twice just isn’t enough to adequately showcase just how godawful something really is. So let’s consider Jeremy Carl.

In a column written this year for Mother’s Day, he bemoans the fate of Phyllis McGinley. Phyllis who? Exactly. McGinley was once a heralded American (minor) literary figure, and the fact that she is not now a household name is a matter of grave concern to Mr. Carl. No, actually it’s a matter of great glee because it affords him an illustration of the Left’s War On American Motherhood. No, really.  That’s the actual title of the piece: Phyllis McGinley and the Left’s War on American Motherhood. Which leftists presumably are waging when they’re not too preoccupied with their War On Christmas.

To Carl and company, anything vile or evil that exists in the world (and indeed anything they don’t like, which they hold to be synonymous with vileness and evil) is the result of sinister machinations by them librulz.  And this time Exhibit A is the relative anonymity of Phyllis McGinley:

[W]hat consigned McGinley to the dustbin of literary history was her politics. And in the un-personing of McGinley, we can get a glimpse of the Left’s simultaneous ruthlessness and cultural hegemony. Simply put, McGinley’s thought crime was that she was a happy, Christian, suburban mother and housewife who extolled both her life in the suburbs and traditional roles for women. For the Left, her failure to be miserable and angry at her situation was an unforgivable sin. The erasure of her voice and what it represented is a sobering thought for conservatives on this Mother’s Day. As with much else in our culture, absent voices like McGinley’s, we look at motherhood, even, through a left-wing lens.

What does (or would) it mean to “look at motherhood… through a left-wing lens”? If you actually ask dedicated left-wingers they’d probably respond something like (a) recognizing that there is more to motherhood than a perpetual state of being “barefoot and pregnant”; (b) recognizing that motherhood is properly a matter of choice rather than coercion; (c) recognizing that women, even if they are mothers, have as much right to career fulfillment as anyone else; (d) recognizing that families having two mothers instead of just one are doubly motherly. The third mentioned has become more or less a reality, but it has been due to economic necessity as much as anything else. As for the other three, do you really believe they have won universal acceptance in the U.S. of A.?

One has to wonder how, given The Left’s ruthlessness and hegemony, McGinley ever sneaked into print in the first place, much less became so popular in her day. Never mind that The Left is so ruthless and hegemonic toward motherhood even though many leftists are themselves mothers and all of them have had mothers. What’s really so vicious and self-defeating of Them Libruls is to bury McGinley in oblivion even though she was n fact one of their own. At least, as Mr. Carl so pointedly fails to mention, she was a registered Democrat. Furthermore, she was pro-choice. In the frigging Fifties.

So then the librulz must have had a vendetta against her because of her anti-feminism, eh? After all, she was criticized by feminist Betty Friedan, and heaven knows Betty Friedan has totally dictated what ensuing generations of Americans read or don’t read. Oops, there’s a problem here too. McGinley, though she was at loggerheads with the feminist movement, was a bit of a feminist in her own way.  In addition to being pro-choice, she used her platform to advocate for a liberal arts education for women.

Among her writings is a 1945 story called The Plain Princess (which Mr. Carl also fails to mention) that is nothing less than a modern feminist fairy tale.  The female protagonist achieves her goals and overcomes her setbacks independently — not with any intercession from a male, but entirely by her own resources. So the ayatollahs of The Left buried this as well? When Mr. Carl refers to her “politics”, he apparently just means her chosen lifestyle. But McGinley’s contentment with being a housewife and mother was not intended as a declaration that all women should content themselves with those roles.

It never seems to have occurred to Mr. Carl that there might, just maybe, be other reasons for McGinley’s slippage from the public eye rather than a malicious plot by them librulz. Though he builds her up to be the most significant poetess since Sappho, the truth is she wasn’t really a poet at all, but a versifier — i.e., she wrote light verse as opposed to “serious” poetry. (True, she was skilled enough at it to win a Pulitzer. But the Pulitzer committee also dishes out trophies to cartoonists; does this make those cartoonists as accomplished in sketching as Picasso?) He mentions that none other than Sylvia Plath praised her early in her career, but fails to mention that Plath later spoke dismissively of her for squandering her potential by restricting herself to an output that was only two or three notches above greeting card doggerel.

Writers of light verse rarely enjoy a long literary longevity. Most people are also quite unfamiliar with Richard Armour, who penned far more light verse than McGinley and died more recently. Do them librulz also have something against Fatherhood? In fact, the only writers of light verse who are venerated across the generations are those who write verses or lines that are widely quoted, such as Ogden Nash. (And many lines attributed to Nash were actually written by Armour.) Most Americans are probably not even familiar with Nash; let’s face it, American society these days isn’t particularly literate at all. Which makes it all the more silly to make a political issue out of the public’s unfamiliarity with a decidedly lesser light in the American literary pantheon.

Mr. Carl also seems quite clueless about the fact that there’s a good reason light verse is so ephemeral: it tends to be topical and dated. Phyllis McGinley used the medium to extol the joys of a white picket fence Ozzie and Harriet existence that few readers can relate to anymore.  Likewise, most readers are not that interested in poodle skirts or white powdered wigs or surreys with fringes on top. That doesn’t mean that such things have been quashed by the boot heel of the Evil Left. It just means that times change. Get over it, already.

The master’s voice

We’ve looked at only a few of the more egregious orgies of nonsense from the archives of NR, but there are plenty of others to pick from. On just about any given day, you can take a look at the titles of articles the esteemed journal has to offer, and see boilerplate delusional wingnut talking points on display: Yes, Hillary Should Be Prosecuted; Yes, the FBI is Biased (and only the president should fix it); No, There Is No Evidence the GOP Colluded With Russia (but there is evidence the Democrats did); Let’s Face It, Planned Parenthood Is Evil (because they “sell baby parts”, doncha know). Take just about any fact and stand it on its ear, and you’ll probably have a premise the NR editorship will salivate over.  Would the rag’s venerable Founding Father have approved? Unquestionably, since a great deal of it occurred in his lifetime and under his stewardship.

Once upon a time the sage Mr. Buckley uttered this little gem:

Conservatism is the tacit acknowledgement that all that is finally important in human experience is behind us; that the crucial explorations have been undertaken, and that it is given to man to know what are the great truths that emerged from them.

This was in 1959, before the first moon landing, the Internet, personal computers, virtual reality, stem cell research, and a great many other “crucial explorations”. And while his statement is a rather accurate (though incomplete) reflection of the conservative mindset, it’s appalling if not terrifying to realize that this was uttered by someone who fervently believed such a mindset was a good thing.

Indeed, in the mission statement he penned for the premiere of his new journalistic bauble, he declared that NR “stands athwart history yelling Stop”. A magazine pitted not only against progress, but against history itself. How much more regressive does it get than that?

Naturally, this means that he considers liberalism Public Enemy Number One. In fact, the statement above is taken from his book Up From Liberalism. The keynote of his “conservative” worldview is that liberals are evil, and good “conservatives” must undo everything they’ve done. In other words, his “conservatism” is really neoconservatism, a different bird altogether. He was the torch bearer of the contemporary American reactionary mob that ultimately dragged the forty-fifth White House occupant into office.

He equates liberalism with communism, and communism with… well, devil worship or something. And he had no compunctions about tossing out some cutesy quotable straw men:

Liberals claim to want to give a hearing to other views, but then are shocked and offended to discover that there are other views.

Liberals don’t care what you do as long as it’s compulsory.

And this might be a good time to mention that he was equally perceptive and knowledgeable about other topics:

The Beatles are not merely awful; I would consider it sacrilegious to say anything less than that they are god awful. They are so unbelievably horribly, so appallingly unmusical, so dogmatically insensitive to the magic of the art that they qualify as crowned heads of anti-music, even as the imposter popes went down in history as “anti-popes.”

Liberalism, he proclaims, is oppression and totalitarianism. While conservatism is ultimate liberty. Even as he advocates white supremacy and discrimination against gays and forcibly tattooing people. And declaring that “Conservatives should be adamant about the need for the reappearance of Judeo-Christianity in the public square.”

He had a dream. To smash that Evil Liberalism and install “conservatism” on the throne. To make “conservatism” the hegemonic voice in American media and culture to an even greater extent than it already was. To impose religion on the public to an even greater extent than it was already being imposed. To make the world safer for Archie Bunker. These noble objectives live on in the pages and posts of the ever-entertaining National Review.